Rule 5: this rule does not apply to specific goods but to goods that at the time the contract was made were unascertained.
Here, though, voiceover narration alone juices up the confrontations with a bunch of guys discharging their guns at off-screen targets: Dash’s sarcastic narration comments on the “sophistication” of his homeboys’ problem-solving as they open their car trunk and empty their guns into the hapless victim therein.Aspect, attitude, attribute, character, characteristic, disposition, distinction, distinguishing quality, distinguishing trait, earmark, feature, individuality, mark, marked feature, marked quality, particularity, peculiarity, personality, point, proprietas, quality, singularity, specific quality, style, temperament, tone, traitĪcreage, acres, demesne, domain, dominions, estate, freehold, ground, grounds, holding, homestead, household, land, landed interests, landed property, leasehold, lot, parcel, plot, premises, real estate, real property, realty, territory, tractĪssociated concepts: abandoned property, absolute property, accretions to property, acquisition of property, after-acquired property, assessable property, assessed valuation of taxable property, base property, commercial property, community property, corporate property, damage to property, devising property, distributable property, encumbrance on property, estate, execution against property, freehold, homestead, individual property, joint property, lien on property, market value, property tax, public property, purchase of property, separate and distinct properties, similar property, special property, specific property, suit affecting property, suit concerning property, taking of property for private purposes, taking of property for public use without just compensation, taxable property, title to real property, transfer of interest in property, transfer of property intended to take effect at death, unplatted land, urban property, value of the property No matter how idiotic the dialogue or atrocious the acting in the first “State Property,” the miscellaneous massacres were well choreographed. In the absence of any real tension, the action, which basically consists of everybody shooting everybody else or threatening to do so, feels colorless and repetitive. While the late Ol’ Dirty Bastard’s guest-shot as a nose-picking short-order cook works fine as a cameo, lead actor Dash’s money-driven careerism is barely fleshed out. Once introduced, however, characters have no place to go. Dash brags about his “baddest chick” (a post-“Glitter” Mariah Carey, yet!) just before she angrily confronts him with a litany of venal complaints. El Loco’s inevitable downfall begins when he commits the faux pas of rescheduling his Tuesday night date (he has one for every night of the week). Unlike the original “State Property,” where half-naked babes were casually draped over every inch of decor when they weren’t getting raped or killed, here women appear almost exclusively as ironic counterpoint. Thus during a split-screen phone conversation between Beans and his wife, each half of the screen swells or shrinks according to who is in control, until a henpecked Beans occupies a tiny diminishing square at the left of the screen. Narrated by each of the players in turn, the action is constantly undercut satirically by unexpected fast-motion, peremptory rewinds or chyroned asides. Things don’t go down exactly like the mysterious El Plaga had anticipated, and arch-rivals Beans and Dame, smelling a rat, warily join forces. Soon, Beans is back on the street where elaborate setups pit him against longtime enemy Dame (Dash). Santiago), himself an employee of the mysterious, never-seen El Plaga. His Muslim cellmate (a memorable turn by Freeway) hooks him up to a new boy on the block, El Loco Polo (Victor N.O.R.E. “Beans” (Sigel) sits in jail, his empire hemorrhaging money in his henchmen’s less-than-competent hands.
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